Baby Teeth

BABY TEETH

A Short Film by ObsidianTV

Some things, you keep.

Logline

A midwife summoned to a home birth discovers the patient lost her baby six months ago — and her family is performing the labor she never had.

Baby Teeth is a fifteen-minute dark comedy about Josleen, a young midwife called to an emergency home birth, who discovers on arrival that her patient — Marie — is not in labor. Marie's husband and best friend have helped her construct an elaborate ritual to give birth, finally, to the daughter she lost six months ago.

Tone & Atmosphere

Candlelit and clinical at once — the warmth of a home that has become a shrine, lit like a held breath.

Baby Teeth lives in the gap between the maternity ward and the séance: muted greens, bruised blues, lamplight pooling on skin. The camera stays close and patient, letting the absurd curdle into the unbearable and back into something tender. We shoot grief the way the family lives it — straight-faced, ceremonial, and quietly hilarious.

A glass slide pressed to a prosthetic belly in candlelight
A woman in the throes of a staged labor
A figure walking away down a dim institutional hallway
Midwives in profile, lit from the side in the dark

Themes

Grief That Won't Leave

Mourning as a house guest who never leaves — love with nowhere to go, performing the future it was promised.

The Ritual of Refusal

A family that has rehearsed its denial into liturgy. If you stage the birth carefully enough, maybe the loss un-happens.

Care as Complicity

A midwife trained to deliver life is asked to midwife a fantasy. To do her job, she must decide which mercy is real.

In the Lineage Of

Hereditary poster

Hereditary (2018, dir. Ari Aster)

Loss as inheritance. The house remembers, and the dead keep their place at the table.

The Killing of a Sacred Deer poster

The Killing of a Sacred Deer (2017, dir. Yorgos Lanthimos)

For the deadpan absurdity and the willingness to play disturbing premises completely flat. Characters defend their bizarre choices with calm certainty.

The World

“This is a household where the dead don't leave. The grandmother is in the morning coffee. The dog is on the mat, taxidermied. The daughter who was never born is in a swaddle on her mother's chest. And the midwife who arrives to deliver her has a tin of baby teeth she counts every morning in her bathroom.”

Key Visuals & Mood

Woman in hospital gown, scared in the dark
What the jar keeps
What the jar keeps
The labor that was rehearsed
Midwives in the dark
Midwives in the dark
Walking out, or walking in
Walking out, or walking in
Some things, you keep
Some things, you keep

The Production

Format

15 minutes

Narrative short

Single location

Production Company

Obsidian TV

Status

In pre-production

Festival Strategy

Baby Teeth is built for the genre-literate festival circuit, where dark comedy and psychological horror are no longer fringe but flagship. We are targeting premiere slots at Sundance, SXSW, Tribeca, Fantastic Fest, and AFI Fest, with a secondary run through Fantasia, Sitges, and regional shorts programs to build critical momentum toward a feature adaptation.